
No one in Germany can more justifiably call himself an independent filmmaker than Lothar Lambert: 41 films to date since 1971, almost all financed out of his own pocket, as producer, director, screenwriter, actor and, time and again, as editor, cameraman, sound man and distributor. Cinema about sex and longings, self-realization and psychological deformities, desires, the weal and woe of the little-noticed in the (initially only West) Berlin urban jungle. And it is as authentic, shocking and tragicomic as you rarely find in this country. Because they were unusually weird and "dirty" in terms of content and form - especially for the well-behaved German standards - Lambert's works were quickly classified as "underground" in the seventies. And have recently been increasingly ignored by critics and film historians. Having long since become documents of the zeitgeist and thus of contemporary history, it is long overdue to (re)discover these works.

Polizeiruf 110
TV • 1971

A Fairy for Dessert
MOVIE • 1992

Blonde to the Bone
MOVIE • 1997

The Nightmare Woman
MOVIE • 1981

1 Berlin-Harlem
MOVIE • 1974

Carl Andersens Underground der Liebe
MOVIE • 2015

Lost and Found in Underground: Lothar Lambert's Psycho City
MOVIE • 2012

A Touch of Longing: His Fight
MOVIE • 1973

From Here to Vanity
MOVIE • 2000

Dirty Daughters oder Die Hure und der Hurensohn
MOVIE • 1982

Late Show
MOVIE • 1977

You Elvis, Me Monroe
MOVIE • 1990

Fucking City
MOVIE • 1982

Now or Never
MOVIE • 1979

Kismet Kismet
MOVIE • 1987

Love/Hate Lola
MOVIE • 1996