
Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

The Lovely Month of May
MOVIE • 1963

Sodankylä Forever
MOVIE • 2010

The Doll
MOVIE • 1962

Cinématon
MOVIE • 1978

Son of Gascogne
MOVIE • 1995

World Without a Game
MOVIE • 1966

Chronicle of a Summer
MOVIE • 1961

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)
MOVIE • 1999

Ciné-Portrait of Raymond Depardon
MOVIE • 1983

A Friendly Handshake
MOVIE • 1997

La Nouvelle Vague par elle-même
MOVIE • 1964

Letter to Jean Rouch
MOVIE • 1992

My Conversations on Film
MOVIE • 2013

Jean Rouch, des mensonges plus vrais que la réalité
MOVIE • 2004

The Dreamed Films
MOVIE • 2010

Freddy Buache, le cinéma
MOVIE • 2012

Nouvelle Vague : El cine sin dogmas
MOVIE • 2000

The Mad Masters
MOVIE • 1955